#Shook, Eurovision Week's Shocking Moments

The Eurovision Song Contest 2016 was filled with various shocking moments, some intended by its organizers, some spontaneous and unexpected. The hosting country definitely had some entertaining moments up their sleeves such as various interval acts showcasing the merge of traditional music and dance combined with modern interpretation and technology, or the pre-recorded sequence giving a humorous looking into the life of the Portuguese. Here are some of the most shocking moments from this year's show.


Russia failed to qualify to the Grand Final

Within the past two years, Russia has been making headlines. Last year due to the withdrawal from the contest and this year failing to qualify to the grand final. In 2017, Julia Samoylova was selected to represent Russia at the Eurovision Song Contest in Ukraine but later the national delegation withdrew from the contest. The singer was banned from entering the hosting country, Ukraine, but was allowed to perform through various digital and live broadcasted forms. The national delegation decided to withdraw and instead send begin preparing for a new entry next year. This year the Russian delegation sent last year's winner to the Eurovision with a new song "I Won't Break", but surprising to everyone failed to gain enough points. This was the first time since the introduction of semi-finals in 2004, that Russia failed to qualify.

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Funny and odd gimmicks

Due to the hosting country's decision to not use LED screens as part of the stage design, many countries began to creatively approach their performances. This resulted in various props being used and unseen choreography. Some countries handled it well, others received a more critical response, but one of the most memorable moments included San Marino's little robots, Moldova's Punch-and-Judy-style modular background wall, Ukraine's staircase in flames, and Slovenia's intentional technical glitch.


Chinese broadcaster censors Eurovision

Blurring LGBT flags from the audience, and modifying transmissions in two performances to hide tattoos and LGBT dancers.

In 2014, officially for the first time, the Eurovision Song Contest was brought to the Chinese viewers. The same year an Austrian recording artist and drag queen Conchita Wurst won the contest, speaking out for the LGBT rights, and becoming the most Googled person of the year.

This year marked a much more controversial year due to censorship imposed by the Chinese broadcaster Mango TV. During the first semi-final the China's top TV operator, a member of the Hunan Television group, edited the transmission of the semi-final to remove gay elements. Ireland's performance was transmissions were modified in order to hide the two men dancing. A similar tactic was used during the Albanian performance, to hide body tattoos. Finally, the broadcaster also blurred out rainbow flags, symbols of LGBT pride, and other images of performers with tattoos.

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European Broadcasting Union canceled the contract with China’s Mango TV

After various censorship during the broadcasting of the first semi-final, the European Broadcast Union released a statement canceling the contract to screen the grand final of Eurovision Song Contest 2018. According to the EBU, the decision to censor content was taken by Mango TV and wasn't in line with values "of universality and inclusivity and our proud tradition of celebrating diversity through music."

It is with regret that we will therefore immediately be terminating our partnership with the broadcaster and they will not be permitted to broadcast the second semifinal or the Grand Final.
— European Broadcast Union

UK's SuRie was interrupted by a stage invader

In the middle of the UK's entry a man, dressed in a black and red bandana and slogan t-short promoting a book on Amazon, ran on stage and grabbed the microphone from SuRie's hands. The stage invader is known as Dr. ACactivism who has previously interrupted the National Television Awards, and The Voice.

For the Nazis of the UK media, we demand freedom.
— Dr. ACactivism, stage invader, at Eurovision Song Contest 2018 Grand Final
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SuRie was given an opportunity to repeat her performance which she later declined. The singer recovered quickly and went on performing her song "Storm" with an astonishing support from the crowd.


Israel brings home a grand victory

While not a surprise to numerous fans, the early bookies favorite had some fierce from initially unexpected entries from Cyprus and Austria. Up until the final seconds viewers were kept on their toes due to very close voting results. Finally the feminist anthem "Toy" won the overall voting and came first in public vote.

Valev Laube

235 East 62nd Street, New York, NY, 10065, United States

Valev Laube is an Estonian-born brand manager, artist, and designer currently based in New York.

He is an alumnus of the University of Rochester (Rochester, NY) and the United World College of the Adriatic (Duino, Italy). 
His works have been exhibited both in the United States and Canada, and his performed world-wide.

His most recent projects include a web presence and design project for a world-wide brand consultancy Marquee Brand Builder, branding for a promotional goods design and production company Sacatelle, and many other design work for companies such Kenneth Cole, Steve Madden, Coffee Bean & Tea Leaf, and many others. His most recent independent projects include organizing a multidisciplinary concert "Tonality of Culture" (National Gallery of Art, Washington, D.C.), creating a music video for an Estonian-Finnish indie-pop band Popidiot, branding and curating works for The Foundation for Estonian Arts and Letters (New York, NY).

In 2016 and 2017 he was the creative director of the Estonian Cultural Days in New York, and collaborated as a video artist on a performance-art show "Reflection Spectrum" at Anita's Way (New York, NY).